Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Ann Arbor :
University of Michigan Library,
2009.
|
| Sraith: | Book collections on Project MUSE.
|
| Ábhair: | |
| Rochtain ar líne: | Full text available: |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
Clár na nÁbhar:
- From chattel to intellectual property : legal foundations of African American cultural critique
- Critical race theory, signifyin', and cultural ownership
- Defining hip-hop aesthetics
- Claiming ownership in the post--civil rights era
- "Fair use" and the circulation of racialized texts
- "Transformative uses" : parody and memory
- From invisibility to erasure? The consequences of hip-hop aesthetics.