Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Ann Arbor :
University of Michigan Library,
2009.
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| Cyfres: | Book collections on Project MUSE.
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| Pynciau: | |
| Mynediad Ar-lein: | Full text available: |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- From chattel to intellectual property : legal foundations of African American cultural critique
- Critical race theory, signifyin', and cultural ownership
- Defining hip-hop aesthetics
- Claiming ownership in the post--civil rights era
- "Fair use" and the circulation of racialized texts
- "Transformative uses" : parody and memory
- From invisibility to erasure? The consequences of hip-hop aesthetics.