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Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law /

Čájet eará veršuvnnaid (3)
Furkejuvvon:
Váldodahkki: Schur, Richard L.
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Ann Arbor : University of Michigan Library, 2009.
Ráidu:Book collections on Project MUSE.
Fáttát:
African Americans in popular culture.
Hip-hop > Influence.
Intellectual property > United States.
African Americans > Legal status, laws, etc.
Electronic books.
Liŋkkat:Full text available:
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
Sisdoallologahallan:
  • From chattel to intellectual property : legal foundations of African American cultural critique
  • Critical race theory, signifyin', and cultural ownership
  • Defining hip-hop aesthetics
  • Claiming ownership in the post--civil rights era
  • "Fair use" and the circulation of racialized texts
  • "Transformative uses" : parody and memory
  • From invisibility to erasure? The consequences of hip-hop aesthetics.

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