Negative, Nonsensical, and Non-Conformist : The Films of Suzuki Seijun /
In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation film...
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Format: | Electronic eBook |
Language: | English |
Published: |
Ann Arbor, Michigan :
University of Michigan Press,
2023.
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Series: | Book collections on Project MUSE.
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Online Access: | Full text available: |
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020 | |a 9780472903474 | ||
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035 | |a (OCoLC)1370012113 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
100 | 1 | |a Yacavone, Peter A. |q (Peter Andrew), |d 1978- |e author |1 https://orcid.org/0000-0002-0332-2377 | |
245 | 1 | 0 | |a Negative, Nonsensical, and Non-Conformist : |b The Films of Suzuki Seijun / |c Peter A. Yacavone. |
264 | 1 | |a Ann Arbor, Michigan : |b University of Michigan Press, |c 2023. | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
264 | 4 | |c ©2023. | |
300 | |a 1 online resource: |b illustrations (chiefly color), portraits | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Michigan Monograph Series in Japanese Studies ; |v number 99 | |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | 3 | |a In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki’s 49 feature films. | |
588 | |a Description based on print version record. | ||
600 | 1 | 7 | |a Suzuki, Seijun, |d 1923-2017. |2 fast |0 (OCoLC)fst00107136 |
600 | 1 | 0 | |a Suzuki, Seijun, |d 1923-2017 |x Criticism and interpretation. |
610 | 2 | 7 | |a Nikkatsu Kabushiki Kaisha. |2 fast |0 (OCoLC)fst00573996 |
610 | 2 | 0 | |a Nikkatsu Kabushiki Kaisha |x History |y 20th century. |
650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
650 | 7 | |a Exploitation films. |2 fast |0 (OCoLC)fst00918549 | |
650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
650 | 0 | |a Experimental films |z Japan |x History |y 20th century. | |
650 | 0 | |a Horror films |z Japan |x History |y 20th century. | |
650 | 0 | |a Exploitation films |z Japan |x History |y 20th century. | |
651 | 7 | |a Japan. |2 fast |0 (OCoLC)fst01204082 | |
655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Michigan Publishing (University of Michigan), |e publisher. | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/112009/ |
999 | |c 233090 |d 233089 |