Negative, Nonsensical, and Non-Conformist : The Films of Suzuki Seijun /

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation film...

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Bibliographic Details
Main Author: Yacavone, Peter A. (Peter Andrew), 1978- (Author)
Format: Electronic eBook
Language:English
Published: Ann Arbor, Michigan : University of Michigan Press, 2023.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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100 1 |a Yacavone, Peter A.  |q (Peter Andrew),  |d 1978-  |e author  |1 https://orcid.org/0000-0002-0332-2377 
245 1 0 |a Negative, Nonsensical, and Non-Conformist :   |b The Films of Suzuki Seijun /   |c Peter A. Yacavone. 
264 1 |a Ann Arbor, Michigan :  |b University of Michigan Press,  |c 2023. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2023 
264 4 |c ©2023. 
300 |a 1 online resource:   |b illustrations (chiefly color), portraits 
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490 0 |a Michigan Monograph Series in Japanese Studies ;  |v number 99 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 3 |a In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki’s 49 feature films. 
588 |a Description based on print version record. 
600 1 7 |a Suzuki, Seijun,  |d 1923-2017.  |2 fast  |0 (OCoLC)fst00107136 
600 1 0 |a Suzuki, Seijun,  |d 1923-2017  |x Criticism and interpretation. 
610 2 7 |a Nikkatsu Kabushiki Kaisha.  |2 fast  |0 (OCoLC)fst00573996 
610 2 0 |a Nikkatsu Kabushiki Kaisha  |x History  |y 20th century. 
650 7 |a Horror films.  |2 fast  |0 (OCoLC)fst00960370 
650 7 |a Exploitation films.  |2 fast  |0 (OCoLC)fst00918549 
650 7 |a Experimental films.  |2 fast  |0 (OCoLC)fst00918452 
650 0 |a Experimental films  |z Japan  |x History  |y 20th century. 
650 0 |a Horror films  |z Japan  |x History  |y 20th century. 
650 0 |a Exploitation films  |z Japan  |x History  |y 20th century. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/112009/ 
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