Bearbmagovva

Affective Images : Post-apartheid Documentary Perspectives /

Čájet eará veršuvnnaid (1)

Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studi...

Olles dieđut

Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Kesting, Marietta (Dahkki)
Materiálatiipa: Elektrovnnalaš E-girji
Giella:eaŋgalasgiella
Almmustuhtton: Albany : State University of New York Press, [2017]
Ráidu:Book collections on Project MUSE.
Fáttát:
South Africa.
Afrique du Sud > Politique et gouvernement > 20e siecle.
South Africa > Politics and government > 20th century.
South Africa > In mass media.
Politics and government.
Mass media.
Documentary mass media.
Post-apartheid era in mass media.
HISTORY > Africa > South > Republic of South Africa.
HISTORY > Africa > South > General.
Medias documentaires > Afrique du Sud > Histoire.
Ère post-apartheid dans les medias.
Documentary mass media > South Africa > History.
History.
Electronic books.
Liŋkkat:Full text available:
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
Sisdoallologahallan:
  • Introduction
  • Mapping context and place
  • Affective images. Photographs of black suffering and violence
  • Affective images in the "new" South Africa
  • Burning questions. The "Burning man"
  • The afterlife of Nhamuave's photograph
  • Photographic speech acts. Migrant life and the image
  • Documentary participatory photography and politics
  • In/visibilities and reenactments. De-identification and multiplication. From documentary to fiction and back: District 9
  • Conclusion: affective images of belonging.

Geahča maid