Slow beauty: Refocusing Oliver Hermanus’s Skoonheid through a slow cinema lens
Oliver Hermanus’s Skoonheid is often read as a representation of South African queer realities and political progressiveness both during and since the dissolution of apartheid. Consequently, Hermanus’s contribution to the aesthetic of slowness in Skoonheid has gone largely unnoticed in the broader c...
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| Format: | Article |
| Language: | English |
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TYDSKRIF VIR LETTERKUNDE
2024
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| Online Access: | https://repository.daystar.ac.ke/handle/123456789/4881.2 |
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