The men with the movie camera : the poetics of visual style in Soviet avant-garde cinema of the 1920s /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Berghahn Books,
2013.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- The theory and practice of camera operation within the Soviet avant-garde of the 1920s
- Eduard Tisse and Sergei Eisenstein
- Anatolii Golovnia and Vsevolod Pudovkin
- Andrei Moskvin and the Factory of the Eccentric Actor (FEKS)
- Danylo Demutskyi and Oleksandr Dovzhenko
- Conclusion.