Lost and othered children in contemporary cinema

Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Awdur Corfforaethol: ebrary, Inc
Awduron Eraill: Olson, Debbie C., 1961-, Scahill, Andrew, 1977-
Fformat: Electronig eLyfr
Iaith:Saesneg
Cyhoeddwyd: Lanham : Lexington Books, c2012.
Pynciau:
Mynediad Ar-lein:An electronic book accessible through the World Wide Web; click to view
Tagiau: Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
Tabl Cynhwysion:
  • Introduction / Debbie Olson, Andrew Scahill
  • I see dead people: ghost-seeing children as mediums and mediators of communication in contemporary horror cinema / Sage Leslie-McCarthy
  • I Can't Go On, I Must Go On: How Jeliza Rose Meets Alice and the Dark Side of Childhood in Terry Gilliam's Tideland / Jayne Steel
  • Wednesdays Child: Adolescent Outsiders in Contemporary British Cinema / Stella M. Hockenhull
  • Wonka, Freud and the Child Within: (Re) Constructing Lost Childhood in Tim Burton's Charlie and the Chocolate Factory / Adrian Schober
  • Representations of Childhood and Conflict in African Fiction Film / Christine Singer and Lindiwe Dovey
  • Pity the Child: Exploring Race, Class, Gender, and Sexuality in Gummo (1997) / Sarah E. S. Sinwell
  • The Ideal Immigrant is a Child: Michou d'Auber and the Politics of Immigration in France / Nicole Beth Wallenbrock
  • It's all for you, Damien!: Oedipal Horror and Racial Privilege in The Omen series / Andrew Scahill
  • Little Rebels in Mao's Era: Representing Children of the Past in Zhang Yuan's Little Red Flowers (Yuan Zhang, 2006) / Kiu-wai Chu
  • Batteries Have Run Out: Ken Loach's Sweet Sixteen / Gilles Chamerois
  • A Krank's Dream: Conflicts Between Form and Narrative in City of Lost Children / Carolyn Salvi
  • Childhood, Ghost Images, and the Heterotopian Spaces of Cinema: The Child as Medium in The Others / Christian Stewen
  • The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock's The Birds (1963) / Debbie Olson
  • Experiencing H�uz�un Through the Loss of Life, Limbs, and Love in Turtles Can Fly / Fran Hassencahl.