American showman Samuel "Roxy" Rothafel and the birth of the entertainment industry, 1908-1935 /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Columbia University Press,
2012.
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| Sraith: | Film and culture.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction
- Roxy and silent film exhibition (1908-1922). A new art for a new art form: Roxy and the development of motion picture exhibition (1908-1913)
- Broadway melody: Roxy, Riesenfeld, and the deluxe theater movement (1913-1917)
- The movie house as recruiting center: Roxy, World War I documentaries, and the engineering of consent (1917-1918)
- "The man who gave the movies a college education": Roxy, Rapee, and motion pictures at the Capitol Theatre (1919-1922)
- Roxy and the birth of media convergence (1922-1936). A capitol idea: Roxy and the birth of media convergence (1922-1925)
- "It's the Roxy and I'm Roxy": building the brand and the Roxy Theatre (1925-1927)
- It's all playing in Sheboygan: Roxy, Rapee, and the emergence of convergence (1928-1931)
- The prologue is past: Roxy, media divergence, and Radio City Music Hall (1931-1936)
- Conclusion.