What makes music European looking beyond sound /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lanham, Md. :
Scarecrow Press, Inc.,
2012.
|
| Rangatū: | Europea ;
no. 12. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Who makes the music (and why we all are composers). Composing as we think of it, composing as we do it ; Oral transmission (more than playing or singing by ear) ; Improvisation and the collective dimension ; when "we" get the music
- Originality, identity, ideology and taste. Should music be original, how much can it be ; Why people identify of organized sound ; Why is music so ideological ; How can we face different musics ; Why we misunderstand the music of all times and places and do we much enjoy doing so ; How much of a good thing ; Musical gardens and greenhouses vs. woods and prairies
- The tangible aspects of music-making. The social value of music ; Musical value and its locations.