What makes music European looking beyond sound /
Gespeichert in:
| 1. Verfasser: | |
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| Körperschaft: | |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Lanham, Md. :
Scarecrow Press, Inc.,
2012.
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| Schriftenreihe: | Europea ;
no. 12. |
| Schlagworte: | |
| Online-Zugang: | An electronic book accessible through the World Wide Web; click to view |
| Tags: |
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Inhaltsangabe:
- Who makes the music (and why we all are composers). Composing as we think of it, composing as we do it ; Oral transmission (more than playing or singing by ear) ; Improvisation and the collective dimension ; when "we" get the music
- Originality, identity, ideology and taste. Should music be original, how much can it be ; Why people identify of organized sound ; Why is music so ideological ; How can we face different musics ; Why we misunderstand the music of all times and places and do we much enjoy doing so ; How much of a good thing ; Musical gardens and greenhouses vs. woods and prairies
- The tangible aspects of music-making. The social value of music ; Musical value and its locations.