Classical sculpture and the culture of collecting in Britain since 1760
Sábháilte in:
| Príomhchruthaitheoir: | |
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| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Oxford ; New York :
Oxford University Press,
2009.
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| Sraith: | Classical presences.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction : Lord Lansdowne's Wounded Amazon
- 'The loving labours of a learned German' : Adolf Michaelis and the historiography of classical sculpture in Britain
- 'The spoils of Roman grandeur' : correspondence collecting and the market in Rome
- The operations of sculpture : (Re) writing restoration
- Collecting and global politics : the export of marbles from Rome and their transport to Britain
- 'The lecture on Venus's arse' : Richard Cosway's Charles Townley with a group of connoisseurs, c.1771-5
- 'Placed with propriety' : the display and viewing of ancient sculpture
- 'Casting a lustful eye' : Charles Townley as collector and cataloguer
- Conclusion : Joseph Nollekens' The judgement of Paris.