Gender, race, and mourning in American modernism
"American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that m...
Saved in:
| Main Author: | |
|---|---|
| Corporate Author: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge ; New York :
Cambridge University Press,
2011.
|
| Subjects: | |
| Online Access: | An electronic book accessible through the World Wide Web; click to view |
| Tags: |
No Tags, Be the first to tag this record!
|
Table of Contents:
- Machine generated contents note: Introduction; 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby; 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia; 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom!; 4. The Professor's House: primitivist melancholy and the gender of Utopian forms; Afterword; Index.