Shakespeare re-dressed cross-gender casting in contemporary performance /
Furkejuvvon:
| Searvvušdahkki: | |
|---|---|
| Eará dahkkit: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Madison [NJ] :
Fairleigh Dickinson University Press,
c2008.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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Sisdoallologahallan:
- Cross-dressing, drag, and passing: slippages in Shakespearean comedy / Jennifer Drouin
- Acting against the rules: remembering the eroticism of the Shakespearean boy actress / Roberta Barker
- Bringing Cheek by Jowl's As you like it out of the closet: the politics of queer theater / James C. Bulman
- Rosalind's breast / Cary M. Mazer
- Unaccommodated woman: Mabou Mines' Lear, the universal, and the particular in performance / P.A. Skantze
- Prospera's brave new world: cross-cast oppression and the four-fold player in the Georgia Shakespeare Festival's Tempest / Andrew James Hartley
- "A queen in a beard": a study of all-female Shakespeare companies / Melissa D. Aaron
- Re-dressing the balance: all-female Shakespeare at the Globe Theatre / Elizabeth Klett
- Constructing femininity in the new Globe's all-male Antony and Cleopatra / Robert Conkie
- Performing gender at the Globe: the technologies of the cross-dressed actor / Judith Rose
- Unsex me here: male cross-dressing at the new Globe / James C. Bulman.