Shakespeare re-dressed cross-gender casting in contemporary performance /
Wedi'i Gadw mewn:
| Awdur Corfforaethol: | |
|---|---|
| Awduron Eraill: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Madison [NJ] :
Fairleigh Dickinson University Press,
c2008.
|
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Cross-dressing, drag, and passing: slippages in Shakespearean comedy / Jennifer Drouin
- Acting against the rules: remembering the eroticism of the Shakespearean boy actress / Roberta Barker
- Bringing Cheek by Jowl's As you like it out of the closet: the politics of queer theater / James C. Bulman
- Rosalind's breast / Cary M. Mazer
- Unaccommodated woman: Mabou Mines' Lear, the universal, and the particular in performance / P.A. Skantze
- Prospera's brave new world: cross-cast oppression and the four-fold player in the Georgia Shakespeare Festival's Tempest / Andrew James Hartley
- "A queen in a beard": a study of all-female Shakespeare companies / Melissa D. Aaron
- Re-dressing the balance: all-female Shakespeare at the Globe Theatre / Elizabeth Klett
- Constructing femininity in the new Globe's all-male Antony and Cleopatra / Robert Conkie
- Performing gender at the Globe: the technologies of the cross-dressed actor / Judith Rose
- Unsex me here: male cross-dressing at the new Globe / James C. Bulman.