Drawing the line the untold story of the animation unions from Bosko to Bart Simpson /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Lexington, Ky. :
University Press of Kentucky,
c2006.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : Why a history of animation unions?
- The world of the animation studio : the cartoon assembly line
- Suits : producers as artists see them
- Hollywood labor, 1933-1941 : the birth of cartoonists unions
- The Fleischer strike : a union busted, a studio destroyed
- The great Disney Studio strike : the civil war of animation
- The war of Hollywood and the blacklist : 1945-1953
- A bag of oranges : the Terrytoons strike and the Great White Father
- Lost generations : 1952-1988
- Animation and the global market : the runaway wars, 1979-1982
- Fox and hounds : the torch seen passing
- Camelot : 1988-2001
- Animation-- isn't that all done on computers now? : the digital revolution
- Conclusion : where to now?