The race of sound : listening, timbre, and vocality in African American music /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Durham ; London :
Duke University Press,
2019.
|
| Ráidu: | Refiguring American music.
|
| Fáttát: | |
| Liŋkkat: | Click to View |
| Fáddágilkorat: |
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|
Sisdoallologahallan:
- Formal and informal pedagogies : believing in race, teaching race, hearing race
- Phantom genealogy : sonic Blackness and the American operatic timbre
- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity
- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed
- Bifurcated listening : the inimitable, imitated Billie Holiday
- Widening rings of being : the singer as stylist and technician.