The race of sound : listening, timbre, and vocality in African American music /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Durham ; London :
Duke University Press,
2019.
|
| Rangatū: | Refiguring American music.
|
| Ngā marau: | |
| Urunga tuihono: | Click to View |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Formal and informal pedagogies : believing in race, teaching race, hearing race
- Phantom genealogy : sonic Blackness and the American operatic timbre
- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity
- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed
- Bifurcated listening : the inimitable, imitated Billie Holiday
- Widening rings of being : the singer as stylist and technician.