Real folks race and genre in the Great Depression /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Durham, NC :
Duke University Press,
2011.
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| Cyfres: | e-Duke books scholarly collection.
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| Pynciau: | |
| Mynediad Ar-lein: | Click to View |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- "A combination madhouse, burlesque show and Coney Island" : the color question in George Schuyler's Black no more
- "Inanimate hideosities" : the burlesque of racial capitalism in Nathanael West's A cool million
- "The last American frontier" : mapping the folk in the Federal Writers' Project's Florida : a guide to the southernmost state
- "Ah gives myself de privilege to go" : navigating the field and the folk in Zora Neale Hurston's Mules and men
- "Am I laughing"? : burlesque incongruities of genre, gender, and audience in Preston Sturges's Sullivan's travels
- Afterpiece : the Coen brothers' Ol'-timey blues in O brother, where art thou?