Real folks race and genre in the Great Depression /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Durham, NC :
Duke University Press,
2011.
|
| Rangatū: | e-Duke books scholarly collection.
|
| Ngā marau: | |
| Urunga tuihono: | Click to View |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- "A combination madhouse, burlesque show and Coney Island" : the color question in George Schuyler's Black no more
- "Inanimate hideosities" : the burlesque of racial capitalism in Nathanael West's A cool million
- "The last American frontier" : mapping the folk in the Federal Writers' Project's Florida : a guide to the southernmost state
- "Ah gives myself de privilege to go" : navigating the field and the folk in Zora Neale Hurston's Mules and men
- "Am I laughing"? : burlesque incongruities of genre, gender, and audience in Preston Sturges's Sullivan's travels
- Afterpiece : the Coen brothers' Ol'-timey blues in O brother, where art thou?