Crash cinema and the politics of speed and stasis /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Durham, NC :
Duke University Press,
2010.
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| Sraith: | e-Duke books scholarly collection.
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| Ábhair: | |
| Rochtain ar líne: | Click to View |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- "Jerky nearness" : spectatorship, mobility, and collision in early cinema
- Car wreckers and home lovers : the automobile in silent slapstick
- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy
- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002)
- Film falls apart : Crash, Semen, and Pop
- Crash aesthetics : Amores perros and the dream of cinematic mobility
- The afterlife of Weekend, or, the university found on a scrapheap.