Cinema at the end of empire a politics of transition in Britain and India /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Durham :
Duke University Press,
2006.
|
| Rangatū: | e-Duke books scholarly collection.
|
| Ngā marau: | |
| Urunga tuihono: | Click to View |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Film policy and film aesthetics as cultural archives
- Acts of transition: the British cinematograph films acts of 1927 and 1938
- Empire and embarrassment: colonial forms of knowledge about cinema
- Realism and empire
- Romance and empire
- Modernism and empire
- Historical romances and modernist myths in Indian cinema.