Grotesque relations modernist domestic fiction and the U.S. welfare state /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Oxford ; New York :
Oxford University Press,
2008.
|
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- Introduction: "As with a startling picture" : modernism and the domestic sphere
- "For she asks forever only help" : the critique of maternalist reform discourse in Djuna Barnes's Ryder
- Tortured bodies and twisted words : the antidomestic vision of Jean Toomer's Cane
- Freaked : eastern European immigration and the "American home" in Edna Ferber's American beauty
- "Not sentimental" : the double bind of white working-class femininity in Tillie Olsen's Yonnondio
- Siren calls : consumer revolution and the body beautiful in Nathanael West's The day of the locust
- "Not charity yet!" : state-supported capitalism and the secret life of god in Flannery O'Connor's Wise blood.