Dying swans and madmen ballet, the body, and narrative cinema /
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
New Brunswick, N.J. :
Rutgers University Press,
c2008.
|
| Нөхцлүүд: | |
| Онлайн хандалт: | An electronic book accessible through the World Wide Web; click to view |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
|
Агуулга:
- Introduction : ballet in tin cans
- A channel for progress : theatrical dance, popular culture, and (the) American Ballet
- Gender, genre, and the ballet film through 1947 : part 1, the life of a ballerina is indeed tough
- Gender, genre, and the ballet film through 1947 : part 2, the man was mad--but a genius!
- If you can disregard the plot : the red shoes in an American context
- The second act will be quite different : cinema, culture, and ballet in the 1950s
- Turning points :
- Ballet and its bodies in the "post-studio" era.