White boys, white noise masculinities and 1980s indie guitar rock /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Aldershot, England ; Burlington, VT :
Ashgate,
c2006.
|
| Rangatū: | Ashgate popular and folk music series.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : white boys--
- Reviewing theories and representations of masculinities
- Powerless power : masculine intellectualism and aesthetics
- What does it mean to be alternative? : indie guitar rock as a genre
- The singer or the song? : homosociality, genre and gender
- Someone controls electric guitar : indie and technologies
- What will I do if she dies? : music, misery and masculinities
- Conclusion :
- white noise.