Music divided Bartók's legacy in cold war culture /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Berkeley :
University of California Press,
c2007.
|
| Sraith: | California studies in 20th-century music ;
7. |
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Bartók's Concerto for orchestra and the demise of Hungary's "third road"
- A compromised composer : Bartók's music and Western Europe's fresh start
- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy
- Bartók and his publics : defining the "modern classic"
- Beyond the folk song; or, what was Hungarian socialist realist music?
- The "Bartók question" and the politics of dissent : the case of András Mihály
- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956
- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.