Music divided Bartók's legacy in cold war culture /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Berkeley :
University of California Press,
c2007.
|
| Cyfres: | California studies in 20th-century music ;
7. |
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Bartók's Concerto for orchestra and the demise of Hungary's "third road"
- A compromised composer : Bartók's music and Western Europe's fresh start
- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy
- Bartók and his publics : defining the "modern classic"
- Beyond the folk song; or, what was Hungarian socialist realist music?
- The "Bartók question" and the politics of dissent : the case of András Mihály
- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956
- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.