Elisabeth Vigée Le Brun the odyssey of an artist in an age of revolution /
The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made her a public and controversial figure, and in 1789 it precipitated her exile. In a Euro...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Haven [Conn.] :
Yale University Press,
c2005.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
| Whakarāpopototanga: | The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755-1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made her a public and controversial figure, and in 1789 it precipitated her exile. In a Europe torn by strife and revolution, this singularly gifted and high-spirited woman nevertheless managed to thrive as an independent, self-supporting artist, doggedly setting up studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. Long overlooked or dismissed, Vigée Le Brun's portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world. Illustrations include sixteen of her portraits presented in full color.--From publisher description. |
|---|---|
| Whakaahuatanga ōkiko: | 237 p., 16 p. of plates : ill. (some col.). |
| Rārangi puna kōrero: | Includes bibliographical references (p. 205-220) and index. |