Elements of sonata theory norms, types, and deformations in the late eighteenth-century sonata /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Oxford University Press,
2006.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Ngā tūemi rite: Elements of sonata theory
- Two-dimensional sonata form form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky /
- The Beethoven sonatas and the creative experience
- Prokofiev's piano sonatas a guide for the listener and the performer /
- The sonata
- Sonata forms /
- Beethoven, the Moonlight and other sonatas, op. 27 and op. 31