Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Oxford ; New York :
Oxford University Press,
2006.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Prologue : the forgotten Mäzen Johann Georg II
- The advent of the Italians, 1651-56
- The Italianate Hofkapelle of Johann Georg II, 1656-80
- Johann Georg II and the problem of Catholicism
- Piety, penitence, and praise : the Dresden textual repertoire
- Roma trapiantata : the new sacred concerto in Dresden
- Musica pathetica : style and affect in the Dresden concerto
- Johann Georg's vision for worship
- Musik im Gottesdienst : the liturgical year at the Dresden court
- Epilogue : Johann Georg II remembered.