Museum politics power plays at the exhibition /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Minneapolis :
University of Minnesota Press,
c2002.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction : museum exhibitions as powerplays
- Politics at the exhibition : aesthetics, history, and nationality in the culture wars of the 1990s
- Nuclear reactions : the (re)presentation of Hiroshima at the National Air and Space Museum
- Memorializing mass murder : the United States Holocaust Memorial Museum
- Signs of empire/empires of sign : Daimyo culture in the District of Columbia
- Inventing the Southwest : the Fred Harvey Company and Native American art
- Museum pieces : politics and knowledge at the American Museum of Natural History
- The Missouri Botanical Garden : sharing knowledge about plants to preserve and enrich life
- Southwestern environments as hyperreality : the Arizona-Sonora Desert Museum
- Superpower aircraft and aircrafting superpower : the Pima Air and Space Museum
- Strange attractor : the Tech Museum of Innovation
- Channeling the news stream : the full press of a free press at the Newseum
- Conclusion : piecing together knowledge and pulling apart power at the museum.