Musical representations, subjects, and objects the construction of musical thought in Zarlino, Descartes, Rameau, and Weber /
-д хадгалсан:
| Үндсэн зохиолч: | |
|---|---|
| Байгууллагын зохиогч: | |
| Формат: | Цахим Цахим ном |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Bloomington :
Indiana University Press,
c2004.
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| Цуврал: | Musical meaning and interpretation.
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| Нөхцлүүд: | |
| Онлайн хандалт: | An electronic book accessible through the World Wide Web; click to view |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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Агуулга:
- Zarlino: instituting knowledge in the time of correspondences
- The representation of order: perception and the early modern subject in Descartes's Compendium musicae
- The complicity of the imagination: representation, subject, and system in Rameau
- Gottfried Weber and Mozart's K. 465: the contents and discontents of the listening subject.