The queer composition of America's sound gay modernists, American music, and national identity /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Berkeley :
University of California Press,
c2004.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound
- Being musical : gender, sexuality, and musical identity in twentieth-century America
- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles
- A French connection : modernist codes in the musical closet
- Queerness, eruption, bursting : U.S. musical modernism at midcentury
- Coda. Composing oneself (reprise).