Crash cinema and the politics of speed and stasis /
Furkejuvvon:
| Váldodahkki: | |
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| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Durham, NC :
Duke University Press,
2010.
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| Ráidu: | e-Duke books scholarly collection.
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| Fáttát: | |
| Liŋkkat: | Click to View |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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Sisdoallologahallan:
- "Jerky nearness" : spectatorship, mobility, and collision in early cinema
- Car wreckers and home lovers : the automobile in silent slapstick
- Doing death over : industrial-safety films, accidental-motion studies, and the involuntary crash test dummy
- Disaster time, the Kennedy assassination, and Andy Warhol's Since (1966/2002)
- Film falls apart : Crash, Semen, and Pop
- Crash aesthetics : Amores perros and the dream of cinematic mobility
- The afterlife of Weekend, or, the university found on a scrapheap.