Italian Political Cinema : Figures of the Long '68 /
"Traditionally, the definition of political cinema assumes a relationship between cinema and politics, but Mauro Resmini sees this relationship as an impasse. He turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to...
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Format: | Electronic eBook |
Language: | English |
Published: |
Minneapolis, MN :
University of Minnesota Press,
[2022]
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Series: | Book collections on Project MUSE.
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Subjects: | |
Online Access: | Full text available: |
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001 | musev2_99481 | ||
003 | MdBmJHUP | ||
005 | 20240815120903.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 221031s2022 mnu o 00 0 eng d | ||
010 | |z 2022039144 | ||
020 | |a 9781452967868 | ||
020 | |z 9781517911386 | ||
035 | |a (OCoLC)1415931342 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
100 | 1 | |a Resmini, Mauro, |d 1981- |e author. | |
245 | 1 | 0 | |a Italian Political Cinema : |b Figures of the Long '68 / |c Mauro Resmini. |
264 | 1 | |a Minneapolis, MN : |b University of Minnesota Press, |c [2022] | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2023 | |
264 | 4 | |c ©[2022] | |
300 | |a 1 online resource (320 pages): |b illustrations ; | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | 0 | |t "A dance of figures": for a figural theory of political cinema -- |t The worker: subjectivity within and against capital - |t - The housewife: figuring reproductive labor -- |t The youth: the dialectic of enjoyment -- |t The saint: an ethics of automomy -- |t The specter: totality as conjuration -- |t Apocalypse with figures: the tyrant, the intriguer, the martyr -- |g Epilogue: |t The cinema of '68', the '68 of cinema. |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | |a "Traditionally, the definition of political cinema assumes a relationship between cinema and politics, but Mauro Resmini sees this relationship as an impasse. He turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles known as the long '68"-- |c Provided by publisher. | ||
588 | |a Description based on print version record. | ||
650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 6 | |a Cinema |x Philosophie. | |
650 | 6 | |a Cinema |x Aspect politique |z Italie. | |
650 | 6 | |a Cinema |z Italie |x Histoire |y 20e siecle. | |
650 | 0 | |a Motion pictures |x Philosophy. | |
650 | 0 | |a Motion pictures |x Political aspects |z Italy. | |
650 | 0 | |a Motion pictures |z Italy |x History |y 20th century. | |
651 | 7 | |a Italy |2 fast | |
655 | 7 | |a History |2 fast | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/99481/ |
999 | |c 235942 |d 235941 |