Sounding Like a No No : Queer Sounds and Eccentric Acts in the Post Soul Era /

Sounding Like a No-Notraces a rebellious spirit in post-civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements,...

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Bibliographic Details
Main Author: Royster, Francesca T. (Author)
Format: Electronic eBook
Language:English
Published: Baltimore, Maryland : Project Muse, 2023
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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100 1 |a Royster, Francesca T.,  |e author. 
245 1 0 |a Sounding Like a No No :   |b Queer Sounds and Eccentric Acts in the Post Soul Era /   |c Francesca T. Royster. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2023 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©2023 
300 |a 1 online resource:   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strange" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Monáe's collective vision. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Sounding Like a No-Notraces a rebellious spirit in post-civil rights black music by focusing on a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements, who through reinvention created a repertoire of performances that have left a lasting mark on popular music. The book's innovative readings of performers including Michael Jackson, Grace Jones, Stevie Wonder, Eartha Kitt, and Meshell Ndegeocello demonstrate how embodied sound and performance became a means for creativity, transgression, and social critique, a way to reclaim imaginative and corporeal freedom from the social death of slavery and its legacy of racism, to engender new sexualities and desires, to escape the sometimes constrictive codes of respectability and uplift from within the black community, and to make space for new futures for their listeners. The book's perspective on music as a form of black corporeality and identity, creativity, and political engagement will appeal to those in African American studies, popular music studies, queer theory, and black performance studies; general readers will welcome its engaging, accessible, and sometimes playful writing style, including elements of memoir. 
588 |a Description based on print version record. 
650 0 |a Soul music. 
650 0 |a Popular music  |x Social aspects. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |w (DLC) 2012033639  |z 9780472004126  |z 9780472904150 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/113376/ 
999 |c 235892  |d 235891