Chinese Film : Realism and Convention from the Silent Era to the Digital Age /
"In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic question and...
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| Κύριος συγγραφέας: | |
|---|---|
| Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
| Γλώσσα: | Αγγλικά |
| Έκδοση: |
Minneapolis :
University of Minnesota Press,
[2022]
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| Σειρά: | Book collections on Project MUSE.
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| Θέματα: | |
| Διαθέσιμο Online: | Full text available: |
| Ετικέτες: |
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| 100 | 1 | |a McGrath, Jason, |d 1966- |e author. | |
| 245 | 1 | 0 | |a Chinese Film : |b Realism and Convention from the Silent Era to the Digital Age / |c Jason McGrath. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2022] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
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| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a "In Chinese Film, Jason McGrath traces the varied claims to cinematic realism made by Chinese filmmakers, critics, and scholars. He presents realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real, envisioning it as more than just a cinematic question and showing how the struggle for realism is central to the Chinese struggle for modernity itself."-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a PERFORMING ARTS / Film / History & Criticism. |2 bisacsh | |
| 650 | 0 | |a Realism in motion pictures. | |
| 650 | 0 | |a Motion pictures |z China |x History. | |
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