صورة الغلاف

Anthropology, Film Industries, Modularity /

عرض إصدارات أخرى (1)

"From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audi...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
مؤلفون آخرون: Caton, Steven Charles, 1950- (المحرر), Rossoukh, Ramyar D. 1974- (المحرر)
التنسيق: الكتروني كتاب الكتروني
اللغة:الإنجليزية
منشور في: Durham : Duke University Press, 2021.
سلاسل:Book collections on Project MUSE.
الموضوعات:
PERFORMING ARTS / Film / History & Criticism
SOCIAL SCIENCE / Anthropology / Cultural & Social
Motion picture industry > Social aspects.
Motion picture industry > Cross-cultural studies.
Electronic books.
الوصول للمادة أونلاين:Full text available:
الوسوم: إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
جدول المحتويات:
  • "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti
  • The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh
  • Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim
  • "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek
  • "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton
  • Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin
  • Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson
  • The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer.

مواد مشابهة