Indiscretions : Avant-Garde Film, Video, and Feminism /
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bloomington :
Indiana University Press,
1990.
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Full text available: |
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| 008 | 891228s1990 inu o 00 0 eng d | ||
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| 020 | |a 9780253055798 | ||
| 035 | |a (OCoLC)1257380889 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Mellencamp, Patricia. | |
| 245 | 1 | 0 | |a Indiscretions : |b Avant-Garde Film, Video, and Feminism / |c Patricia Mellencamp. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 1990. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©1990. | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theories of contemporary culture ; |v v. 12 | |
| 505 | 0 | |a Historically speaking -- Visionary film and sexual difference -- Video politics -- Surveillance and simulation -- Theoretical objects -- Postmodern TV -- Uncanny feminism -- Last scene in the streets of modernism -- Taking a cue from Ariadne -- Images of language and indiscreet dialogues -- The avant-garde, the everyday, and the underground. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory. She creates a dialogue among theory and popular culture and politics through inventive readings of the films of Owen Land, Hollis Frampton, Ken Jacobs, Bruce Conner, Robert Nelson, Michael Snow, Yvonne Rainer, and Sally Potter, and videotapes by Ant Farm, TVTV, Michael Smith, William Wegman, and Cecelia Condit. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Theorie |2 gnd | |
| 650 | 7 | |a Frauenfilm |2 gnd | |
| 650 | 7 | |a Experimentalfilm |2 gnd | |
| 650 | 7 | |a Feminism and motion pictures. |2 fast |0 (OCoLC)fst00922742 | |
| 650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 6 | |a Films experimentaux |x Histoire et critique. | |
| 650 | 6 | |a Feminisme et cinema. | |
| 650 | 0 | |a Feminism and motion pictures. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/84781/ |
| 999 | |c 235121 |d 235120 | ||