Writing Anthropologists, Sounding Primitives : The Poetry and Scholarship of Edward Sapir, Margaret Mead, and Ruth Benedict /
"Writing Anthropologists, Sounding Primitives" offers a contribution to the history of anthropology by synthesizing and applying insights from the history of writing, sound studies, and intermediality studies to poetry and scholarship produced by early twentieth-century U.S.-American cultural anthro...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Lincoln :
University of Nebraska Press,
2021.
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| Ráidu: | Book collections on Project MUSE.
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| Fáttát: | |
| Liŋkkat: | Full text available: |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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Sisdoallologahallan:
- Introduction : poets, anthropologists, primitives
- Of mumbling melody, soft singing, and slow speech : constructions of sonic otherness in the poetry of Edward Sapir
- On alternating sounds : musical alterities in Sapir's poetry and critical writings
- Interlude : French-Canadian folk songs in translation
- "For you have given me speech!" : gifted literates, illiterate primitives, and Margaret Mead
- Toward unnerving the us : the poetry and scholarship of Ruth Benedict
- Conclusion : cultural and media evolutionism in Boasian anthropology and beyond
- Appendix: The Complete Poetry of Edward Sapir, Margaret Mead, and Ruth Benedict.