The Greatest Films Never Seen : The Film Archive and the Copyright Smokescreen /
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam [Netherlands] :
EYE Filmmuseum,
[2018]
|
| Series: | Framing film (Amsterdam, Netherlands)
Book collections on Project MUSE. |
| Subjects: | |
| Online Access: | Full text available: |
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|---|---|---|---|
| 001 | musev2_66446 | ||
| 003 | MdBmJHUP | ||
| 005 | 20240815120831.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200724r20202018ne o 00 0 eng d | ||
| 020 | |a 9789048531042 | ||
| 020 | |z 9789462981393 | ||
| 035 | |a (OCoLC)1178720812 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 4 | |a PN1993.4 |b .O63 2018 | |
| 082 | 0 | |a 026.79143 |2 23 | |
| 100 | 1 | |a Op den Kamp, Claudy, |d 1974- |e author. | |
| 245 | 1 | 4 | |a The Greatest Films Never Seen : |b The Film Archive and the Copyright Smokescreen / |c Claudy Op den Kamp. |
| 264 | 1 | |a Amsterdam [Netherlands] : |b EYE Filmmuseum, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (173 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Framing film | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references, filmography, and index. | ||
| 505 | 0 | |a The Orphan in a Handbag : an introduction to the film archive and intellectual property -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands -- A Swiss Bank : recategorization I : the embargoed film -- A Handbag : recategorization II : the orphan film -- A Vehicle of Power : recategorization III : the public domain film (or, what orphan films are not) -- A Birthplace : the begotten film -- The Potential for History-Making : of accidents and activation -- Conclusion : the Brighton line. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Film archives. | |
| 650 | 0 | |a Orphan works (Copyright) | |
| 650 | 0 | |a Copyright |x Motion pictures. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9789462981393 |z 9462981396 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Framing film (Amsterdam, Netherlands) | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/66446/ |
| 999 | |c 234241 |d 234240 | ||