Exhibiting Cinema in Contemporary Art /
Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a dig...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
Baltimore, Maryland :
Project Muse,
2020
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Series: | Film culture in transition.
Book collections on Project MUSE. |
Subjects: | |
Online Access: | Full text available: |
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001 | musev2_66389 | ||
003 | MdBmJHUP | ||
005 | 20240815120831.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 200724r20202013ne o 00 0 eng d | ||
020 | |a 9789048517763 | ||
020 | |z 9789089644718 | ||
035 | |a (OCoLC)1178720770 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
050 | 4 | |a PN1995.25 |b .B35 2013 | |
082 | 0 | |a 709.04/07 |2 23 | |
100 | 1 | |a Balsom, Erika, |e author. | |
245 | 1 | 0 | |a Exhibiting Cinema in Contemporary Art / |c Erika Balsom. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (260 pages): |b illustrations. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Film culture in transition, |x 2213-7041 | |
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: the othered cinema -- Architectures of exhibition -- Filmic ruins -- The remake: old movies, new narratives -- The fiction of truth and the truth of fiction -- Conclusions: "Cinema and ... " | |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | |a Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Motion picture industry |x Technological innovations. | |
650 | 0 | |a Motion pictures and the arts. | |
650 | 0 | |a Art in motion pictures. | |
650 | 0 | |a Art and motion pictures. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse, |e distributor. | |
776 | 1 | 8 | |i Print version: |z 9789089644718 |z 9089644717 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Film culture in transition. |x 2213-7041 | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/66389/ |
999 | |c 234238 |d 234237 |