Humour and Irony in Dutch Post-war Fiction Film /

If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, to...

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Bibliographic Details
Main Author: Verstraten, Peter (Author)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, 2016.
Series:Book collections on Project MUSE.
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Online Access:Full text available:
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020 |z 9789089649430 
035 |a (OCoLC)1125826028 
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100 1 |a Verstraten, Peter,  |e author. 
245 1 0 |a Humour and Irony in Dutch Post-war Fiction Film /   |c Peter Verstraten. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2016. 
300 |a 1 online resource (480 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Framing film 
505 0 |a Preface; Introduction; 1. Low-Class Comedies; 2. Multicultural Comedies; 3. From 'Kind-hearted' Comedies to Neurotic Romances; 4. Deliberate Camp; 5. Humour as an Aftermath Effect; 6. Homosocial Jokes; 7. From Ludic Humour to Cosmic Irony; 8. From Insubordinate ­Playfulness to Subversive Irony; 9. From Grotesque Caricature to Grotesque Satire; Conclusion. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 3 |a If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober; De verloedering van de Swieps and Borgman; Black Out and Plan C. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Wit and humor in motion pictures.  |2 fast  |0 (OCoLC)fst01905156 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a ART  |x General.  |2 bisacsh 
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650 7 |a The arts.  |2 bicssc 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Film, TV and radio.  |2 bicssc 
650 7 |a Film theory and criticism.  |2 bicssc 
650 6 |a Humour au cinema. 
650 0 |a Wit and humor in motion pictures. 
650 0 |a Motion pictures  |z Netherlands  |x History  |y 20th century. 
651 7 |a Netherlands.  |2 fast  |0 (OCoLC)fst01204034 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/66515/ 
999 |c 234151  |d 234150