Film Museum Practice and Film Historiography : The Case of the Nederlands Filmmuseum (1946-2000) /

Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces...

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Bibliographic Details
Main Author: Lameris, Bregt (Author)
Format: Electronic eBook
Language:English
Published: Amsterdam : Amsterdam University Press, [2017]
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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020 |a 9789048526741 
020 |z 9789089648266 
035 |a (OCoLC)1163587749 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Lameris, Bregt,  |e author. 
245 1 0 |a Film Museum Practice and Film Historiography :   |b The Case of the Nederlands Filmmuseum (1946-2000) /   |c Bregt Lameris. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2017] 
300 |a 1 online resource (245 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Framing film 
505 0 |a Table of Contents; Acknowledgements; Introduction; PART I. COLLECTIONS; 1. Private Collectors; 2. Blind Choices: Parameters and Repetitions; 3. Eyes Wide Open: Duplicates; PART II. PRESERVATIONS; 4. Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6. Reconstructions; PART III. PRESENTATIONS; 7. Film Museum Exhibition Spaces; 8. Framing Programmes; 9. Performances; Coda: Past Futures, Future Pasts; Notes; Bibliography; Index. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 8 |a Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. 
588 |a Description based on print version record. 
610 2 7 |a Bauhaus Dessau  |g 1986-1994  |b Bereich Architektur und Sammlungen  |2 gnd 
610 2 7 |a Nederlands Filmmuseum  |2 gnd 
610 2 7 |a Nederlands Filmmuseum.  |2 fast  |0 (OCoLC)fst00607199 
610 2 0 |a EYE Film Instituut Nederland. 
610 2 0 |a Nederlands Filmmuseum  |x History. 
600 1 7 |a Desmet, Jean,  |d 1875-1956.  |2 fast  |0 (OCoLC)fst00486087 
600 1 0 |a Desmet, Jean,  |d 1875-1956. 
650 7 |a Diskurs  |2 gnd 
650 7 |a Filmmuseum  |2 gnd 
650 7 |a Filmgeschichtsschreibung  |2 gnd 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 0 |a Motion pictures  |z Netherlands  |x History  |y 20th century. 
651 7 |a Netherlands.  |2 fast  |0 (OCoLC)fst01204034 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/66504/ 
999 |c 234150  |d 234149