Listening for Africa : Freedom, Modernity, and the Logic of Black Music's African Origins /
David F. Garcia examines the work of a wide range of musicians, dancers, academics, and activists between the 1930s and the 1950s to show how their belief in black music's African roots would provide the means to debunk racist ideologies, aid decolonization of Africa, and ease racial violence.
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham :
Duke University Press,
2017.
|
| Series: | Book collections on Project MUSE.
|
| Subjects: | |
| Online Access: | Full text available: |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_68615 | ||
| 003 | MdBmJHUP | ||
| 005 | 20240815120811.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 170227t20172017ncu o 00 0 eng d | ||
| 010 | |z 2017009241 | ||
| 020 | |a 9780822373117 | ||
| 020 | |z 9781478093251 | ||
| 020 | |z 9780822363705 | ||
| 020 | |z 9780822363545 | ||
| 035 | |a (OCoLC)1139366965 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a García, David F., |e author. | |
| 245 | 1 | 0 | |a Listening for Africa : |b Freedom, Modernity, and the Logic of Black Music's African Origins / |c David F. Garcia. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2017. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2017. | |
| 300 | |a 1 online resource (373 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war -- Listening to Africa in the city, in the laboratory, and on record -- Embodying Africa against racial oppression, ignorance, and colonialism -- Disalienating movement and sound from the pathologies of freedom and time -- Desiring Africa, or Western civilization's discontents -- Conclusion: dance-music as rhizome. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a David F. Garcia examines the work of a wide range of musicians, dancers, academics, and activists between the 1930s and the 1950s to show how their belief in black music's African roots would provide the means to debunk racist ideologies, aid decolonization of Africa, and ease racial violence. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Dance music. |2 fast |0 (OCoLC)fst00887533 | |
| 650 | 7 | |a Black people |x Music. |2 fast |0 (OCoLC)fst00833971 | |
| 650 | 7 | |a African Americans |x Music. |2 fast |0 (OCoLC)fst00799648 | |
| 650 | 7 | |a MUSIC |x Ethnomusicology. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 6 | |a Musique |z Afrique |x Histoire et critique. | |
| 650 | 6 | |a Danse, Musique de |x Histoire et critique. | |
| 650 | 6 | |a Personnes noires |x Musique |x Histoire et critique. | |
| 650 | 0 | |a Music |z Africa |x History and criticism. | |
| 650 | 0 | |a Dance music |x History and criticism. | |
| 650 | 0 | |a Black people |x Music |x History and criticism. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 651 | 7 | |a Africa. |2 fast |0 (OCoLC)fst01239509 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 880 | 0 | 8 | |6 776-01/(Q |i Print version: |a GarciÌ℗ѓa, David F. |t Listening for Africa. |d Durham : Duke University Press, 2017 |z 9780822363545 |z 9780822363705 |w (DLC) 2017006461 |w (OCoLC)959869268 |
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/68615/ |
| 999 | |c 233205 |d 233204 | ||