Imagining Afghanistan : Global Fiction and Film of the 9/11 Wars /

"Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion-the era that propelled Afghanistan into the center of global media visibility. Through an analysis of fiction, graphic n...

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Bibliographic Details
Main Author: Ivanchikova, Alla, 1977- (Author)
Format: Electronic eBook
Language:English
Published: West Lafayette, Indiana : Purdue University Press, 2019.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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100 1 |a Ivanchikova, Alla,  |d 1977-  |e author. 
245 1 0 |a Imagining Afghanistan :   |b Global Fiction and Film of the 9/11 Wars /   |c Alla Ivanchikova. 
264 1 |a West Lafayette, Indiana :  |b Purdue University Press,  |c 2019. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019. 
300 |a 1 online resource (259 pages). 
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490 0 |a Comparative cultural studies 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a "Imagining Afghanistan examines how Afghanistan has been imagined in literary and visual texts that were published after the 9/11 attacks and the subsequent U.S.-led invasion-the era that propelled Afghanistan into the center of global media visibility. Through an analysis of fiction, graphic novels, memoirs, drama, and film, the book demonstrates that writing and screening "Afghanistan" has become a conduit for understanding our shared post-9/11 condition. "Afghanistan" serves as a lens through which contemporary cultural producers contend with the moral ambiguities of twenty-first-century humanitarianism, interpret the legacy of the Cold War, debate the role of the U.S. in the rise of transnational terror, and grapple with the long-term impact of war on both human and nonhuman ecologies. Post-9/11 global Afghanistan literary production remains largely NATO-centric insofar as it is marked by an uncritical investment in humanitarianism as an approach to Third World suffering and in anti-communism as an unquestioned premise. The book's first half exposes how persisting anti-socialist biases-including anti-statist bias-not only shaped recent literary and visual texts on Afghanistan, resulting in a distorted portrayal of its tragic history, but also informed these texts' reception by critics. In the book's second half, the author examines cultural texts that challenge this limited horizon and forge alternative ways of representing traumatic histories. Captured by the author through the concepts of deep time, nonhuman witness, and war as a multispecies ecology, these new aesthetics bring readers a sophisticated portrait of Afghanistan as a rich multispecies habitat affected in dramatic ways by decades of war but not annihilated"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a POLITICAL SCIENCE / Political Ideologies / Communism, Post-Communism & Socialism  |2 bisacsh 
650 7 |a War and motion pictures.  |2 fast  |0 (OCoLC)fst01919878 
650 7 |a War and literature.  |2 fast  |0 (OCoLC)fst01170442 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Literature.  |2 fast  |0 (OCoLC)fst00999953 
650 7 |a Political Science / Globalization.  |2 bisacsh 
650 0 |a Afghan War, 2001-2021  |x Motion pictures and the war. 
650 0 |a Afghan War, 2001-2021  |x Literature and the war. 
651 7 |a Afghanistan.  |2 fast  |0 (OCoLC)fst01205406 
651 0 |a Afghanistan  |x In motion pictures. 
651 0 |a Afghanistan  |x In literature. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/70957/ 
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