Farocki/Godard : Film as Theory /

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

Description complète

Enregistré dans:
Détails bibliographiques
Auteur principal: Pantenburg, Volker, 1973- (Auteur)
Collectivité auteur: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie
Autres auteurs: Turnbull, Michael, 1959- (Traducteur)
Format: Électronique eBook
Langue:anglais
allemand
Publié: Baltimore, Maryland : Project Muse, 2019
Collection:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Book collections on Project MUSE.
Sujets:
Accès en ligne:Full text available:
Tags: Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
Description
Résumé:This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Description:"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.
Issued as part of book collections on Project MUSE.
Description matérielle:1 online resource (348 pages): illustrations.
Bibliographie:Includes bibliographical references (pages 263-275) and indexes.
ISBN:9789048527557
Accès:Open Access