Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Collectivité auteur: | |
| Autres auteurs: | |
| Format: | Électronique eBook |
| Langue: | anglais allemand |
| Publié: |
Baltimore, Maryland :
Project Muse,
2019
|
| Collection: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
| Sujets: | |
| Accès en ligne: | Full text available: |
| Tags: |
Pas de tags, Soyez le premier à ajouter un tag!
|
| Résumé: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
|---|---|
| Description: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. Issued as part of book collections on Project MUSE. |
| Description matérielle: | 1 online resource (348 pages): illustrations. |
| Bibliographie: | Includes bibliographical references (pages 263-275) and indexes. |
| ISBN: | 9789048527557 |
| Accès: | Open Access |