Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
Saved in:
| 主要作者: | |
|---|---|
| 企业作者: | |
| 其他作者: | |
| 格式: | 电子 电子书 |
| 语言: | 英语 德语 |
| 出版: |
Baltimore, Maryland :
Project Muse,
2019
|
| 丛编: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
| 主题: | |
| 在线阅读: | Full text available: |
| 标签: |
添加标签
没有标签, 成为第一个标记此记录!
|
| 总结: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
|---|---|
| Item Description: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. Issued as part of book collections on Project MUSE. |
| 实物描述: | 1 online resource (348 pages): illustrations. |
| 参考书目: | Includes bibliographical references (pages 263-275) and indexes. |
| ISBN: | 9789048527557 |
| 访问: | Open Access |