Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
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| Formato: | Recurso Electrónico livro electrónico |
| Idioma: | inglês alemão |
| Publicado em: |
Baltimore, Maryland :
Project Muse,
2019
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| Colecção: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
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| Acesso em linha: | Full text available: |
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| Resumo: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
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| Descrição do item: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. Issued as part of book collections on Project MUSE. |
| Descrição Física: | 1 online resource (348 pages): illustrations. |
| Bibliografia: | Includes bibliographical references (pages 263-275) and indexes. |
| ISBN: | 9789048527557 |
| Acesso: | Open Access |