Farocki/Godard : Film as Theory /
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi Tiamana |
| I whakaputaina: |
Baltimore, Maryland :
Project Muse,
2019
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| Rangatū: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. Book collections on Project MUSE. |
| Ngā marau: | |
| Urunga tuihono: | Full text available: |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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| Whakarāpopototanga: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
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| Whakaahutanga tūemi: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. Issued as part of book collections on Project MUSE. |
| Whakaahuatanga ōkiko: | 1 online resource (348 pages): illustrations. |
| Rārangi puna kōrero: | Includes bibliographical references (pages 263-275) and indexes. |
| ISBN: | 9789048527557 |
| Urunga: | Open Access |