Soundings : Documentary film and the listening experience /
This book draws on the lived experience of sound's capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of...
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Format: | Electronic eBook |
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Language: | English |
Published: |
Huddersfield :
University of Huddersfield Press,
2018.
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Series: | Book collections on Project MUSE.
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Subjects: | |
Online Access: | Full text available: |
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020 | |a 9781862181540 | ||
020 | |z 1862181543 | ||
035 | |a (OCoLC)1111952045 | ||
040 | |a MdBmJHUP |c MdBmJHUP | ||
245 | 0 | 0 | |a Soundings : |b Documentary film and the listening experience / |c edited Geoffrey Cox and John Corner. |
264 | 1 | |a Huddersfield : |b University of Huddersfield Press, |c 2018. | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
264 | 4 | |c ©2018. | |
300 | |a 1 online resource. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Introduction / Geoffrey Cox -- The promotional imagination. Stories from a stay at the Arena Hotel / Will L Finch -- Weave me a rainbow : 'the march, the march of colour and pattern' : music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry / Geoffrey Cox -- Sonicules -- designing drugs with sound : approaches to sound design for film, audiovisual performance and interactive sonification / Radoslaw Rudnicki and Jude Brereton -- Foregronding the aesthetic : strategies and practices. Auralising action space : channelling a sense of play in documentary sound design / Simon Connor -- 'The film looks like how Ornette sounds' : Shirley Clarke's music documentary Ornette : made in America / Rosa Nogués -- Progress music / James Bulley -- Creative use of voice in non-fiction narrative film : an examination of the work Peter Mettler / Lars Koens and Demelza Kooij -- Documentarty film as a backdrop for active thinking / Ana Berkenhoff -- The unwanted sound of everything we think we want / Andrew Kötting -- Nationhood and conflict. The 'Appassionata' sonata in A diary for Timothy / Tsung-Han Tsai -- A 'symphony of Britain at war' or 'rhythm of workaday Britain'? : Len Lye's When the pie was opened (1941) and the musicalisation of warfare / Anita Jorge -- Building a sonic image of a nation : Finnish documentary and propaganda films in the early decades of sound film / Kaarina Kilpiö -- Raúl Ruiz's Now we're gonna call you brother and the problem of the people's sonic representation / Laura Jordán González and Nicolas Lema Habash -- Afterword / John Corner. | |
506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
520 | |a This book draws on the lived experience of sound's capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sound's resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound. | ||
546 | |a English. | ||
588 | |a Description based on print version record. | ||
650 | 7 | |a Sound in motion pictures. |2 fast |0 (OCoLC)fst01904742 | |
650 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst00896079 | |
650 | 7 | |a The arts. |2 bicssc | |
650 | 6 | |a Cinema |x Son. | |
650 | 0 | |a Documentary films. | |
650 | 0 | |a Sound in motion pictures. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/67346/ |
999 | |c 232610 |d 232609 |