Composing the Party Line : Music and Politics in Early Cold War Poland and East Germany /
This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of Worl...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
West Lafayette, Indiana :
Purdue University Press,
[2013]
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| Series: | Book collections on Project MUSE.
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| Subjects: | |
| Online Access: | Full text available: |
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| 020 | |a 9781612492902 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Tompkins, David G., |e author. | |
| 245 | 1 | 0 | |a Composing the Party Line : |b Music and Politics in Early Cold War Poland and East Germany / |c David G. Tompkins. |
| 264 | 1 | |a West Lafayette, Indiana : |b Purdue University Press, |c [2013] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©[2013] | |
| 300 | |a 1 online resource (312 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Central European studies | |
| 505 | 0 | |a The rise and decline of socialist realism in music -- The composers' unions between party aims and professional autonomy -- The struggle over commissions -- The music festival as pedagogical experience -- The concert landscape. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |6 880-01 |a This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "engineer the human soul." Music also helped the Communist parties establish legitimacy. Extensive state support for musical life encouraged musical elites and audiences to accept the dominant position and political missions of these regimes. Party leaders invested considerable resources in the attempt to create an authorized musical language that would secure and maintain hegemony over the cultural and wider social worlds. The responses of composers and audiences ran the gamut from enthusiasm to suspicion, but indifference was not an option | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Politik |2 gnd | |
| 650 | 7 | |a Musikleben |2 gnd | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Music |x Political aspects. |2 fast |0 (OCoLC)fst01030414 | |
| 650 | 7 | |a Music and state. |2 fast |0 (OCoLC)fst01030489 | |
| 650 | 7 | |a HISTORY |x Modern |y 20th Century. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Europe |x Eastern. |2 bisacsh | |
| 650 | 7 | |a Regional studies. |2 bicssc | |
| 650 | 7 | |a Reference, information and interdisciplinary subjects. |2 bicssc | |
| 650 | 7 | |a Interdisciplinary studies. |2 bicssc | |
| 650 | 6 | |a Musique |x Aspect politique |z Pologne |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Musique |x Aspect politique |z Allemagne (Est) |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Musique |x Politique gouvernementale |z Pologne |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Musique |x Politique gouvernementale |z Allemagne (Est) |x Histoire |y 20e siecle. | |
| 650 | 4 | |a Music and state |x fast |x (OCoLC)fst01030489. | |
| 650 | 4 | |a Music and state |z Poland |x History |y 20th century. | |
| 650 | 4 | |a Music and state |z Germany (East) |x History |y 20th century. | |
| 650 | 4 | |a Music |x Political aspects |x fast |x (OCoLC)fst01030414. | |
| 650 | 4 | |a Music |x Political aspects |z Poland |x History |y 20th century. | |
| 650 | 4 | |a Music |x Political aspects |z Germany (East) |x History |y 20th century. | |
| 650 | 0 | |a Music and state |z Germany (East) |x History |y 20th century. | |
| 650 | 0 | |a Music and state |z Poland |x History |y 20th century. | |
| 650 | 0 | |a Music |x Political aspects |z Germany (East) |x History |y 20th century. | |
| 650 | 0 | |a Music |x Political aspects |z Poland |x History |y 20th century. | |
| 651 | 7 | |a Deutschland |g DDR |2 gnd | |
| 651 | 7 | |a Poland. |2 fast |0 (OCoLC)fst01206891 | |
| 651 | 7 | |a Germany (East) |2 fast |0 (OCoLC)fst01210274 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 880 | |6 520-01/(3/r |a Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "مهَىمَم ْوٰم وفٍ َٱُ.ٌ" حٱىك فٱٌ ُوممٌِل وٰم أٍٍُىَٱ ٰفِىْٰمٱ مٱفٰقىٌٱو مٌهىىٰفٍك". إ٬مٰٱَىم ٱفٰمٰ ٱُِِْٰن ٍُْٱىكف ٌىٌنم مكَُفْهمل ٍٱىكف ٌمىٌمٰٱ فلَ فلىمكَمٱ ُٰفككم ِٰوٰم لىٍُفَ َٰٱُِىىٰ َُفلَ ىٌُِىٰكف ٌىٍٱٱىٱَُ نُ وٰمٱم مْهىمٍٱ. ذف"ْٰ مٌفلمٱْ ىَمٱمٰل كٱَُىلمفْقمٌ مْٱُكْمٱ ى َوٰم فمٰٰ ٍِٰ ُٰكمْفمٰ ف َفوٰىُْ"مل ٍٱىكف ٌفٌهَفهم وٰف ُٰلٌ ٱمكمْ فلَ فٍىفَٰى َومهم"ٍَُ ُم ْوٰم كٌٰفْ ٌفلَ ىلم ْٱكُىف ٌلٌُْٱ. شوم مْٱٱَُِمٱ نُ كٱٍُُِمٱْ فلَ فلىمكَمٱ فْ َوٰم هفٍ ٰن ٍُْموَٰٱىفٱ ٍ ُٰٱٱىِكى،َُ قٰىلَىننممْكَم فٱ َُٰف َىُِٰ.َُ شوىٱ ىٰمٌٰ فٱ فٍلم دمِ َءككمٱٱ ق" ىٌقفْىْمٱ ن ٍُْفُْلَ وٰم لٌُْ وُْٰهو ثَُمٌلهم صفٌَكٰومل.--ذُْىلمل ق" ِقىٌٱوم.ْ | ||
| 856 | 4 | 0 | |z Full text available: |u https://muse.jhu.edu/book/66987/ |
| 999 | |c 232591 |d 232590 | ||