Crowd Scenes : Movies and Mass Politics /

The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new po...

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Bibliographic Details
Main Author: Tratner, Michael
Format: Electronic eBook
Language:English
Published: New York : Fordham University Press, 2008.
Edition:1st ed.
Series:Book collections on Project MUSE.
Subjects:
Online Access:Full text available:
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100 1 |a Tratner, Michael. 
245 1 0 |a Crowd Scenes :   |b Movies and Mass Politics /   |c Michael Tratner. 
250 |a 1st ed. 
264 1 |a New York :  |b Fordham University Press,  |c 2008. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2008. 
300 |a 1 online resource (162 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : the birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses--the crowd scenes--in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a Film.  |2 swd 
650 7 |a Film  |x Massenpsychologie.  |2 idsbb 
650 7 |a Massenpsychologie  |x Film.  |2 idsbb 
650 7 |a Film  |x Motiv  |x Masse (Soziol.)  |2 idsbb 
650 7 |a Masse  |x (Soziol.)  |x Motiv  |x Film.  |2 idsbb 
650 7 |a Masse  |2 gnd 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Crowds in motion pictures.  |2 fast  |0 (OCoLC)fst01902940 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Media studies.  |2 bicssc 
650 6 |a Foules au cinema. 
650 0 |a Motion pictures  |x Political aspects. 
650 0 |a Crowds in motion pictures. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Full text available:   |u https://muse.jhu.edu/book/66746/ 
999 |c 232578  |d 232577